Kristian Matsson, better known by his moniker The Tallest Man on Earth, returns with his sixth album of original songs, Henry St. Over the…
Nearly half a decade removed from a breakout, self-titled EP, boygenius returns with the record, the indie sad girl supergroup’s first full length. While…
Karin Dreijer returns with Radical Romantics, their highly collaborative third album under the solo moniker Fever Ray — with production from heavy hitters like…
After an eight-year gap since her last solo record, Meg Baird has returned with Furling, a contemplative and fully-realized folk album that, on first…
Hot off the heels of last year’s exceptional Living Torch, Kali Malone has delivered an album version of the previous live exclusive Does Spring…
With a history of quick turnaround releases, Belle and Sebastian stays true to form and follows up last year’s A Bit of Previous with…
The latest entry into the canon of psychedelic-trip records, Margo Price’s new album Strays tells the story of a person arguably at their most…
And in the Darkness, Hearts Aglow is a more spiritual and communal record for Weyes Blood, speaking to both the personal and universal with…
It’s hard to fathom the pressure that would come with getting discovered by David Gilmour. The idea that a member of Pink Floyd would…
The Loneliest Time is another undeniable treat from one of pop’s greatest stars. Three years after her last bright-eyed pop album, Carly Rae Jepsen returns with…
Surrender is a sophomore success that finds Rogers settling into herself as a person and as an artist. Maggie Rogers, fresh off a new master’s…
Jack in the Box is a nostalgic, joyous riff on classic hip hop sounds, and a blueprint for how to go solo with swagger.…
With Emotional Creature, Beach Bunny bucks the trend of TikTok music vapidity and delivers an impressive, sincere indie rock record. With Emotional Creature, Beach Bunny’s…
Gold Rush Kid finds George Ezra co-opting TikTok music-making trends to abysmal effect. George Ezra, with his signature deep baritone and radio-friendly pop sensibilities,…
Big Time feels like a the start of a new era for Angel Olsen, an reinvention record that realizes the sound it seems she…
Dance Fever doesn’t deliver much danciness, but it does reflect an appealingly intimate pivot for Welch and co. After a four-year gap, Florence +…
Despite a decade-long hiatus, 12th of June picks up right where Lovett’s sound left off, for better and worse. A full decade removed from…
We is a considerable improvement on Arcade Fire’s dumpster of a past decade, predictably failing to reach the band’s heights but effective in spurts at…